Maria Luisa Azzini beside her London nightscape painting in her studio
Artist Showcase

Maria Luisa Azzini

The Futuristic Parallel World · London

The Work

A parallel universe, painted by hand.

Thomas Chard meeting Maria Luisa Azzini in London
Meeting Maria Luisa in London.

Maria Luisa Azzini is a Florence-born, London-based painter who has spent more than two decades building what she calls The Futuristic World — a saturated, joyful parallel dimension populated by hidden messages, signature blue UFOs, tiny televisions with legs, and small wry details waiting for the viewer who looks twice.

The Futuristic World is her own idea — though the name was sparked by a passing remark. After a year or two at Greenwich Market, a customer told her: “this is like a futuristic world you’re creating,” and the phrase captured something she already felt. The Futuristic World isn’t a series — it’s the parallel dimension all her collections live in, from her saturated cityscapes to the playful Laundry TVs she has been painting for years, with new ideas always arriving. The work isn’t a stylistic choice; it’s how she has always seen things.

Her cities are real places dreamt differently: London with its skyline rebuilt in pop-art colour, Paris reimagined in sunset oranges, New York after dark with the lights left on. Self-taught, she sold her first pieces at Greenwich Market in 2002 and showed there almost every Sunday for nearly two decades. In 2022 she and her best friend, the artist John Lynch, founded Hidden House Gallery — a studio gallery in Nunhead — moving it to Forest Hill in 2025, where an estate agency opens as a quirky little gallery each Sunday. Some of her clients have been collecting her since the beginning, twenty years on.

“I always believed in parallel worlds. Since I was six or seven, I used to write stories about parallel realities. I always believed there was something extraordinary.”

Find Maria Luisa

Where to see her work in person.

Every Sunday

Hidden House GalleryForest Hill, London

As a long-standing Redcliffe client, I trust them with my work. The quality is outstanding — and that’s what matters when you’re representing your work to galleries and customers.

Maria Luisa Azzini · on working with Redcliffe

Working with Redcliffe

The right paper for vibrant work.

Maria Luisa needs a paper that can hold the saturation of her acrylic originals without flattening them — somewhere bold colour can sing on the page, but with the matt warmth of a true fine art surface.

Her chosen paper is Redcliffe Watercolour: our own house-brand 210gsm matt-textured stock, made by the fourdrinier process from acid- and lignin-free alpha cellulose. An archival-quality professional fine art inkjet paper, but at a price that lets a long-running practice stay sustainable. The surface gives her something else, too: it lets her work back into each print by hand, adding extra detail in her four signature acrylic colours. So no two are quite the same — every one is a hand-finished giclée, unique and one of a kind. Maria Luisa has been printing with us for years, and her Sunday customers go home with prints that look as alive as the originals on the easel.

Maria Luisa’s chosen paper

Redcliffe Watercolour

Our house brand fine-art paper · Group C

  • 210gsm
  • Matt texturedfinish
  • Alpha cellulosestock
  • Fourdrinierprocess

Hand-finished in our Bristol studio since 1982. Employee-owned. Hahnemühle & Canson Certified Print Studio.

Want prints like this for your work?

Print your art with the same care.

Whether you work in acrylic, oil, watercolour, mixed media, or photography, we’ll help you find the right paper to do justice to your originals. Order an archival giclée print, request a free file check, or browse our full range of Hahnemühle, Canson, St Cuthberts Mill, and Redcliffe house-brand papers.